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  2. NAMTA Journal 42/2 06 Creative Engagement: Handwork as Follow-Up Work

NAMTA Journal 42/2 06 Creative Engagement: Handwork as Follow-Up Work

In The NAMTA Journal, Volume 42, Number 2, 2017, Spring

Pages: 121-137

"To a great extent, we all must "do" in order to learn." Ellen Lebitz begins with this overarching truth as a lead-in to a close look at handwork in the elementary environment. She explains the benefits of handwork for the second-plane child, including it being a key to helping "even the most distracted children find focus and interest." She gives concrete examples of handwork (mostly as follow-up work) along with tips for implementation, including maintaining a clean-up routine and having materials organized and available. She addresses teamwork in handwork, issues of scale, and poses handwork as a grounding route to abstraction. Supported by invaluable tools for the teacher to use, her enthusiasm and experience with this work shines through as encouragement to be prepared and, most importantly, to trust in the child: "It would be so easy to just assume that we know what the best follow-up is, but the children need to be free to figure out themselves what they are interested in and on what they want to work. Once we make a particular project an expectation, then we are taking away the 'spontaneous' part of the spontaneous activity in education. We have to make peace with the idea that some follow-up will be not as we expect, will fizzle out, but, sometimes, will exceed our wildest expectations. All of this is part of the process; we have to let go of our 'favorite' projects and let the children be free." [This talk was presented at the NAMTA conference titled "Finding the Hook: Montessori Strategies to Support Concentration," October 6-9, 2016, in Columbia, MD.]

Author(s)
Lebitz, Ellen

Publisher: North American Montessori Teachers' Association

Type of Resource: Article

Language: English

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"To a great extent, we all must "do" in order to learn." Ellen Lebitz begins with this overarching truth as a lead-in to a close look at handwork in the elementary environment. She explains the benefits of handwork for the second-plane child, including it being a key to helping "even the most distracted children find focus and interest." She gives concrete examples of handwork (mostly as follow-up work) along with tips for implementation, including maintaining a clean-up routine and having materials organized and available. She addresses teamwork in handwork, issues of scale, and poses handwork as a grounding route to abstraction. Supported by invaluable tools for the teacher to use, her enthusiasm and experience with this work shines through as encouragement to be prepared and, most importantly, to trust in the child: "It would be so easy to just assume that we know what the best follow-up is, but the children need to be free to figure out themselves what they are interested in and on what they want to work. Once we make a particular project an expectation, then we are taking away the 'spontaneous' part of the spontaneous activity in education. We have to make peace with the idea that some follow-up will be not as we expect, will fizzle out, but, sometimes, will exceed our wildest expectations. All of this is part of the process; we have to let go of our 'favorite' projects and let the children be free." 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Linked Data

ERIC Link
http://eric.ed.gov/?id=EJ1144503

ERIC Keywords
Handicrafts, Montessori Method, Creativity, Experiential Learning, Elementary School Students, Educational Benefits, Program Implementation, Teamwork, Teaching Methods, Trust (Psychology), Personal Autonomy, Student Developed Materials, Teacher Expectations of Students, Creative Activities

Library of Congress Subjects
Montessori method of education

LCNAF Corporate Names
North American Montessori Teachers' Association

Wikidata Subjects
Montessori education

VIAF
North American Montessori Teachers' Association

Geolocated Data for this Object

Geolocation data not provided

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